Low-relief clay sculptures are intricately molded onto walls, serving as dynamic frames for projected animations that come to life from within. The glowing animations fade in and out, creating narratives that personify and make visible the many layers of experience—the invisible yet ever-present elements that shape our social and metaphysical realities. In a world where perception intertwines with existence, these layers invite viewers to engage deeply with the unseen interconnections and quieter forces that shape us.

Cow Portals (V)
Clay, Projected Video. 12’x7’x 3". 00:02:09 (sped up and shortened for web viewing)

Portals I (The Thoughts You Don’t See, But Know Are There)
Clay, Projected Video. Outdoor Installation. 16’x8’x4”. Ambient noise informed video during exhibition hours.

Vase Phase
Projection, Clay. 11"x1.6'x7.00:00:30

Metaphysical Chicken
Clay, Projected Video. 6"x18"x6". 00:00:30

Staring Contest with Absurdity

This series explores the boundaries of what a 'rectangular artwork on canvas' can be and how experimentally stretched the process can become while still being recognized as art. Where does the artwork reside: in the process, the physical piece, or its digital representation, especially as more viewers engage with art online than in person? Each piece results in two works: the actual artwork and a process video

Canvas Iteration I
Projection,Claymation,Video. 8"x13". 00:00:30

Vase Phase

Destroy the Boy’s (aka Canvas Iteration II)
Claymation. 13"x 25". 00:00:30

Metaphysical Chicken

Staring Contest with Absurdity

Animation Projected on Clay. 2”x 17" x 2”. 00:00:30

These light-changing sculptures contemplate the organic and abstract playfulness of 'being.' While identity is often treated as a fixed, matter-of-fact concept, it can be liberating to recognize that we are fluid and impressionable, filled with symbolic meaning and continually reshaping ourselves through choices and pattern-making. Neither identity nor "human" is a practical fact; rather, both are expressions of activated imagination, shaped by our perception as we interact with the world around us.

Amoe’baby
LED Light + Clay .13"x 25" x 1.5”

AmoeB'ob
LED Light + Clay. 13"x 25" x 1.5”

Low Reliefs + High Anxiety

GttnTKnwYrslfsHrd

Projection on Low Relief Clay. 13"x 25" x 1.5”

Clay Brick Studies Series

Clay Brick Studies

Video Projected on White Clay. 13"x 25" x 1.5”

Digital Canvas. 2022 13"x 25"
White Clay + Projected Gradient Video. Museum of Human Achievement.

Consumable Canvas I. 2024
8” x 12” Colorful Clay. Almost Real Things Gallery.

Art emerges at the inception of experience. These sculptures invite viewers to engage with the form, encouraging them to embrace their own creative license. This interaction positions them as integral participants in the artistic experience rather than as separate observers. These works are made to be touched, squeezed, and sometimes entirely destroyed.

Stress Sculpture. 2024
3’ x 7’. Colorful Clay wrapped in white clay. Almost Real Things Gallery

No Still Life, Fruit Bowl I
13"x 25"
LED + Clay

Emotional Hygene.2020
9” x 22"x 9"
Paint + Clay. Vault Stone Gallery.

Beginning during the 2020 Quarantine, Sitting in Uncertainty navigates the life cycle of ‘perceiving someone’ as relationships begin then decay. A narrative inquiry is born when portraits become abstracted into full-scale immersive hallucinations via projection, sound and motion animation.